![]() ![]() It’s utilitarian – very much so – but today’s jumpsuit has also acquired an elegance that definitely was not part of the garment in the First World War. It’s a uniform that you can work and transition to social hours. “I’m a mum of a small baby and when I was in New York recently I had zero time so I went and bought myself a jumpsuit,” says Bass-Krueger. Wear them with brogues or heels, up-dos or earrings. “And don’t be afraid to make alterations.” Belt a jumpsuit for a more pulled-together look or embrace the roominess of the boiler suit. ![]() Whilst jumpsuits have a powerful draw, they can be tricky to fit,” advises Wilby. The Rational Dress Society unequivocally endorses the jumpsuit as the garment of the future.” “Of course, there are more dystopian connotations as well – prison uniforms, cults – but being in a room of our comrades, each with different bodies, ages and genders, all wearing jumpsuits, is inspiring. So it combines utopian, sci-fi idealism with working-class practicality,” she continues. “At the same time, the jumpsuit is a cover-all – a garment that suggests hard work, no-nonsense efficiency. “From the beginning, the jumpsuit was a sign of aviation, spaceships, and the promise of a more streamlined, rational future,” says Brewer. The Society organises make-your-own-JUMPSUIT workshops that feature debate around questions of fashion and identity. The project aims to offer a concrete alternative to the industrialised system of production, consumption and waste that characterises today’s fashion industry to challenge current buying practices by pushing everyone to only wear one outfit made specifically for them. ![]() Together, they have produced JUMPSUIT, an “open-source, ungendered monogarment to replace all clothes in perpetuity.” That’s certainly what visual artists Maura Brewer and Abigail Glaum-Lathbury, founders of the counter-fashion collective Rational Dress Society, have in mind when they posit the jumpsuit as the garment of the future during lectures and events. “In an era when women have never been so objectified and scrutinised, donning a jumpsuit is a sartorial two fingers up at the patriarchy. “A jumpsuit provides a freedom of movement not associated with any other item of clothing the connotations of female empowerment, autonomy over our lives, careers and bodies, paired with an enduring love of utility style is a powerful one,” she continues. “You feel a powerful sense of liberation wearing an all-in-one, a sense of safety that comes from knowing the wind won’t flip your hemline and flash your knickers for a laugh,” comments sustainability consultant Alice Wilby. “You can literally do anything in a jumpsuit: fix a car, climb a tree, straddle a bench at a communal dining table with aplomb. Skip the hiatus in good taste that were the 1990s (think TLC and Salt-N-Pepa) and today’s jumpsuit is a different affair, often sleek and tailored, but still redolent of past associations of power and freedom. And, speaking of Abba, rarely were the Swedish Fab Four out of their onesies, from flared to industrial.Īnd then there’s Freddie Mercury, Mick Jagger, and David Bowie as Ziggy Stardust, demonstrating the appeal of the jumpsuit’s anti-establishment iconography to gender-fluid, hyper-sexual men everywhere. All-in-ones were the go-to for Studio 54 regulars Diana Ross, Liza Minelli and Bianca Jagger at 73, Cher is still a fan, belting out Abba’s Waterloo on a recent episode of America’s Got Talent in head-to-toe purple. There is no shortage of jumpsuits in the history of music culture. And, by the time Elvis started wearing white studded jumpsuits in the 1970s, its status as a uniform of rebellion was set. By the end of the wars, women’s place in society had irrevocably changed. And earlier this year, shopping platform Liketoknow offered an even more staggering statistic: a whopping 945% increase in clicks to jumpsuits.Īnd few items of clothing would have been as challenging to the male gaze as the jumpsuit, with its provocatively split lower half, that alluring V. Following the episode, global fashion search platform Lyst reported a 61 per cent spike in searches in the UK for jumpsuits. Why Andrew Scott’s character doesn’t ditch the dog collar right there is anyone’s guess. The dinner is also the first time Fleabag meets the ‘hot priest’. She’s looking drop-dead gorgeous in a black, keyhole-front, open-back jumpsuit that says it all: rebellion, rage, a barely-masked sexual appeal. Waller-Bridge’s character maintains an unusual reserve but frankly, she doesn’t need to speak. #In love with fashion love tv#In the first episode of the British TV comedy Fleabag, season two, Phoebe Waller-Bridge’s unnamed character attends an awkward family dinner to celebrate the upcoming nuptials between her father and his girlfriend. ![]()
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